Tag: #documentation
0 billet(s) · 1 projet(s) · 13 publication(s)
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Documentation procedures and guidelines for museums and museum professionals
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- zrenaudie
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Publications
Sharp, Georgia R. B. « O desenho técnico como instrumento de comunicação museológica: uma análise a partir do Museu Paulista da Universidade de São Paulo. » Interunit Graduate Program in Museology. Master’s Dissertation in Museology, University of São Paulo, 2026.
Carboni, Nicola. « Ontological patterns for modeling art exhibitions: An initial investigation ». In Metadata and semantic research, édité par Michalis Sfakakis, Emmanouel Garoufallou, Matthew Damigos, Athena Salaba, et Christos Papatheodorou, 256‑67. Cham: Springer Nature Switzerland, 2025.
Dekker, Annet, et Gabriella Giannachi. « Doing Documentation. Editorial », 2024. https://doi.org/10.25969/MEDIAREP/23001.
Dekker, Annet, et Gabriella Giannachi. « The Qualities and Significance of Documentation », 2022. https://doi.org/10.25969/MEDIAREP/22285.
Giannachi, Gabriella. « The use of documentation for preservation and exhibition: The cases of SFMOMA, Tate, Guggenheim, MOMA, and LIMA ». In Documentation as Art. Routledge, 2022.
Lawson, Louise, Acatia Finbow, Duncan Harvey, Hélia Marçal, Ana Ribeiro, et Lia Kramer. « Strategy for the Documentation and Conservation of Performance ». Documentation and Conservation of Performance (March 2016 – March 2021), a Time-Based Media Conservation Project at Tate, Https://Www.Tate.Org.Uk/about-Us/Projects/Documentation-Conservation-Performance/Strategy-and-Glossary, 2021. https://www.tate.org.uk/about-us/projects/documentation-conservation-performance/strategy-and-glossary.
Barbut, Clélia. « Raconter la performance : l’entretien comme cadre pour la reprise et la transmission des performances. Entretiens avec Esther Ferrer et Nil Yalter ». Intermédialités, no 28‑29 (20 septembre 2017). https://doi.org/10.7202/1041081ar.
Pierre, Saurisse. « L’immobilité et ses failles dans la performance des années 1990 / Immobility and its Flaws in 1990s Performance Art », no 115 (2017): 12‑19. https://id.erudit.org/iderudit/84380ac.
Parcollet, Remi, et Léa-Catherine Szacka. « Écrire l’histoire des expositions : réflexions sur la constitution d’un catalogue raisonné d’expositions ». Culture & Musées 22, no 1 (2013): 137‑62. https://doi.org/10.3406/pumus.2013.1755.
Jim, Alice. « An Analysis and Documentation of the 1989 Exhibition Black Wimmin: When and Where We Enter ». RACAR : Revue d’art Canadienne / Canadian Art Review 23, no 1‑2 (1996): 71‑83. https://doi.org/10.7202/1073294ar.
Keijzer, Vincent de. « Tradition in documenting exhibitions ». Art Documentation: Journal of the Art Libraries Society of North America 15 (1996): 21‑23.
Knez, Eugene I., et A. Gilbert Wright. « The Museum as a Communications System: An Assessment of Cameron’s Viewpoint ». Curator: The Museum Journal 13, no 3 (1970): 204‑12. https://doi.org/10.1111/j.2151-6952.1970.tb00404.x.
Cameron, Duncan F. « A Viewpoint: The Museum as a Communications System and Implications for Museum Education1 ». Curator: The Museum Journal 11, no 1 (1968): 33‑40. https://doi.org/10.1111/j.2151-6952.1968.tb00883.x.