Bibliographie

5 résultats

  • Thèse / mĂ©moire

  • Sharp, Georgia R. B. « O desenho técnico como instrumento de comunicação museológica: uma análise a partir do Museu Paulista da Universidade de São Paulo. » Interunit Graduate Program in Museology. Master’s Dissertation in Museology, University of São Paulo, 2026.

    O desenho técnico como instrumento de comunicação museológica: uma análise a partir do Museu Paulista da Universidade de São Paulo.

    Auteur : Georgia R. B. Sharp

    University of São Paulo · 2026

    Zotero
    title
    O desenho técnico como instrumento de comunicação museológica: uma análise a partir do Museu Paulista da Universidade de São Paulo.
    creators
    Auteur : Georgia R. B. Sharp
    tags
    documentation; exhibition
    bib
    Sharp, Georgia R. B. « O desenho técnico como instrumento de comunicação museológica: uma análise a partir do Museu Paulista da Universidade de São Paulo. » Interunit Graduate Program in Museology. Master’s Dissertation in Museology, University of São Paulo, 2026.
    date
    2026
    university
    University of SĂŁo Paulo
    itemType
    thesis
    citation
    Sharp, « O desenho técnico como instrumento de comunicação museológica: uma análise a partir do Museu Paulista da Universidade de São Paulo. »
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    SMFQ2BQY
    parsedDate
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    citationKey
    zotero-item-19164
    collections
    EJT4TG8U
    dateAdded
    2026-06-24T16:38:31Z
    dateModified
    2026-06-24T16:39:57Z
    place
    Sao Paolo, Brazil
    relations
    {}
    series
    Interunit Graduate Program in Museology
    thesisType
    Master's Dissertation in Museology
  • Article de confĂ©rence

  • Carboni, Nicola. « Ontological patterns for modeling art exhibitions: An initial investigation ». In Metadata and semantic research, édité par Michalis Sfakakis, Emmanouel Garoufallou, Matthew Damigos, Athena Salaba, et Christos Papatheodorou, 256‑67. Cham: Springer Nature Switzerland, 2025.

    Ontological patterns for modeling art exhibitions: An initial investigation

    Auteur : Nicola Carboni | Éditeurs : Michalis Sfakakis, Emmanouel Garoufallou, Matthew Damigos, Athena Salaba, Christos Papatheodorou

    Metadata and semantic research · 2025

    Zotero
    title
    Ontological patterns for modeling art exhibitions: An initial investigation
    creators
    Auteur : Nicola Carboni
    Éditeurs : Michalis Sfakakis, Emmanouel Garoufallou, Matthew Damigos, Athena Salaba, Christos Papatheodorou
    tags
    documentation; exhibition
    bib
    Carboni, Nicola. « Ontological patterns for modeling art exhibitions: An initial investigation ». In Metadata and semantic research, édité par Michalis Sfakakis, Emmanouel Garoufallou, Matthew Damigos, Athena Salaba, et Christos Papatheodorou, 256‑67. Cham: Springer Nature Switzerland, 2025.
    date
    2025
    publisher
    Springer Nature Switzerland
    itemType
    conferencePaper
    abstractNote
    Exhibitions play a crucial role in shaping art history by defining artistic movements and promoting visual canons. However, current models fail to capture their complex dynamics, especially in terms of contingency and participation. This study proposes a framework for modeling catalog-derived and database-derived exhibition data, by employing a bottom-up approach based on two major datasets: the Artl@s BasArt project (catalog-derived) and the MoMA Exhibition Index (database-derived). Developed using CIDOC-CRM, a de-facto standard ontology in the heritage domain, the model specifies ontological patterns for documenting key aspects of exhibitions, such as their temporal duration, spatial extension, mereological structures, source of knowledge, the role of its participants and the function of the artwork exposed. The adoption of the proposed model facilitates the integration and analysis of diverse exhibition data, enabling a comprehensive and richer understanding of the spatial, temporal, and participatory dimensions of each exhibition, helping to contextualize their reach and impact within the global artistic milieu, and enabling better data-driven studies in digital art history and cultural analytics.
    citation
    Carboni, « Ontological patterns for modeling art exhibitions: An initial investigation ».
    key
    7XHCR8KK
    parsedDate
    2025
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    citationKey
    10.1007/978-3-031-81974-2_22
    collections
    EJT4TG8U
    dateAdded
    2026-03-03T10:09:31Z
    dateModified
    2026-06-24T16:41:57Z
    extra
    Citation Key: 10.1007/978-3-031-81974-2_22
    ISBN
    978-3-031-81974-2
    pages
    256–267
    place
    Cham
    proceedingsTitle
    Metadata and semantic research
    relations
    {"dc:replaces":"http://zotero.org/groups/6441975/items/Q69VDAU9"}
  • Chapitre de livre

  • Giannachi, Gabriella. « The use of documentation for preservation and exhibition: The cases of SFMOMA, Tate, Guggenheim, MOMA, and LIMA ». In Documentation as Art. Routledge, 2022.

    The use of documentation for preservation and exhibition: The cases of SFMOMA, Tate, Guggenheim, MOMA, and LIMA

    Auteur : Gabriella Giannachi

    Documentation as Art · 2022

    Zotero
    title
    The use of documentation for preservation and exhibition: The cases of SFMOMA, Tate, Guggenheim, MOMA, and LIMA
    creators
    Auteur : Gabriella Giannachi
    tags
    documentation; exhibition
    bib
    Giannachi, Gabriella. « The use of documentation for preservation and exhibition: The cases of SFMOMA, Tate, Guggenheim, MOMA, and LIMA ». In Documentation as Art. Routledge, 2022.
    date
    2022
    publisher
    Routledge
    itemType
    bookSection
    abstractNote
    Tracing three major shifts in the ways digital artworks are documented within the museum context, Gabriella Giannachi’s contribution analyses the use of documentation for preservation and exhibition, highlighting the value of documenting the audience experience and showing that documentation is both past and future facing, constituting an increasingly essential mechanism for the conservation of past artworks as well as for the creation of future artworks.
    citation
    Giannachi, « The use of documentation for preservation and exhibition ».
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    DBABWD9J
    parsedDate
    2022
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    bookTitle
    Documentation as Art
    citationKey
    giannachiUseDocumentationPreservation2022
    collections
    E562XEZF; EJT4TG8U
    dateAdded
    2026-06-22T21:20:13Z
    dateModified
    2026-06-24T16:40:26Z
    extra
    Num Pages: 12
    relations
    {}
    shortTitle
    The use of documentation for preservation and exhibition
  • Article de presse

  • Lawson, Louise, Acatia Finbow, Duncan Harvey, Hélia Marçal, Ana Ribeiro, et Lia Kramer. « Strategy for the Documentation and Conservation of Performance ». Documentation and Conservation of Performance (March 2016 – March 2021), a Time-Based Media Conservation Project at Tate, Https://Www.Tate.Org.Uk/about-Us/Projects/Documentation-Conservation-Performance/Strategy-and-Glossary, 2021. https://www.tate.org.uk/about-us/projects/documentation-conservation-performance/strategy-and-glossary.

    Strategy for the Documentation and Conservation of Performance

    Auteurs : Louise Lawson, Acatia Finbow, Duncan Harvey, Hélia Marçal, Ana Ribeiro, Lia Kramer

    Documentation and Conservation of Performance (March 2016 – March 2021), a Time-based Media Conservation project at Tate, https://www.tate.org.uk/about-us/projects/documentation-conservation-performance/strategy-and-glossary · 2021

    Lien Zotero
    title
    Strategy for the Documentation and Conservation of Performance
    creators
    Auteurs : Louise Lawson, Acatia Finbow, Duncan Harvey, Hélia Marçal, Ana Ribeiro, Lia Kramer
    bib
    Lawson, Louise, Acatia Finbow, Duncan Harvey, Hélia Marçal, Ana Ribeiro, et Lia Kramer. « Strategy for the Documentation and Conservation of Performance ». Documentation and Conservation of Performance (March 2016 – March 2021), a Time-Based Media Conservation Project at Tate, Https://Www.Tate.Org.Uk/about-Us/Projects/Documentation-Conservation-Performance/Strategy-and-Glossary, 2021. https://www.tate.org.uk/about-us/projects/documentation-conservation-performance/strategy-and-glossary.
    date
    2021
    url
    https://www.tate.org.uk/about-us/projects/documentation-conservation-performance/strategy-and-glossary
    publicationTitle
    Documentation and Conservation of Performance (March 2016 – March 2021), a Time-based Media Conservation project at Tate, https://www.tate.org.uk/about-us/projects/documentation-conservation-performance/strategy-and-glossary
    publisher
    Tate
    itemType
    newspaperArticle
    language
    en-GB
    citation
    Lawson et al., « Strategy for the Documentation and Conservation of Performance ».
    key
    9A3DF2VG
    parsedDate
    2021
    meta
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    accessDate
    2026-06-24T22:09:30Z
    citationKey
    kramerStrategyDocumentationConservation
    collections
    E562XEZF; EJT4TG8U
    dateAdded
    2026-06-24T22:09:30Z
    dateModified
    2026-06-24T22:14:31Z
    place
    London
    relations
    {}
  • Article de revue

  • Keijzer, Vincent de. « Tradition in documenting exhibitions ». Art Documentation: Journal of the Art Libraries Society of North America 15 (1996): 21‑23.

    Tradition in documenting exhibitions

    Auteur : Vincent de Keijzer

    Art Documentation: Journal of the Art Libraries Society of North America · 1996

    Zotero
    title
    Tradition in documenting exhibitions
    creators
    Auteur : Vincent de Keijzer
    tags
    documentation; exhibition
    bib
    Keijzer, Vincent de. « Tradition in documenting exhibitions ». Art Documentation: Journal of the Art Libraries Society of North America 15 (1996): 21‑23.
    date
    1996
    publicationTitle
    Art Documentation: Journal of the Art Libraries Society of North America
    publisher
    ARLIS/NA (Art Libraries Society of North America)
    itemType
    journalArticle
    citation
    de Keijzer, « Tradition in documenting exhibitions ».
    key
    93JG4XVK
    parsedDate
    1996
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    citationKey
    de1996tradition
    collections
    E562XEZF; EJT4TG8U
    dateAdded
    2026-06-22T21:22:08Z
    dateModified
    2026-06-24T21:44:44Z
    extra
    Citation Key: de1996tradition
    pages
    21–23
    relations
    {}
    volume
    15